poetry

Arabic poetry

Taj Mahal

Anglo-Welsh Poetry

The Bard The Bard, 1774, by Thomas Jones (1742–1803)

Anglo-Welsh poetry is a subset of Anglo-Welsh literature. The poetry written in English by those familiar with the Welsh language tends to be distinctive in its style and rhythms. Dylan Thomas is the most famous exponent of the genre, and it is the secret of his apparent uniqueness for non-Welsh readers.

British poetry

British poetry is poetry written by British poets. It may refer to British literature written in the British Isles, the United Kingdom, or Great Britain. It may include poetry written in any of the languages in the United Kingdom or in other languages of the British Isles, or written elsewhere by British poets.

It may include:

  • English poetry
  • Welsh poetry
  • Irish poetry

Verse

Most verse writing uses meter as its primary organizational mode, as opposed to prose, which uses grammatical and discoursal units like sentences and paragraphs. Verse may also use rhyme and other technical devices that are often associated with poetry.

Not all verse is poetry. Generally speaking, what separates the two is that in poetry language achieves the highest possible level of condensation.

In popular music a verse roughly corresponds with a poetic stanza. It is often sharply contrasted with the chorus or refrain melodically, rhythmically, and harmonically, and assumes a higher level of dynamics and activity, often with added instrumentation. See: strophic form, verse-chorus form and Thirty-two-bar form.

Poetry accent

Accent in poetry refers to the stressed portion of a word. For example:

"Let Us make man in Our image,
according to Our likeness;
let them have dominion over the fish of the sea,
over the birds of the air, and over the cattle,
over all the earth and over every creeping thing
that creeps on the earth"
Genesis 26-27
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Now depending on where you place the stress in this poem you will get a different meaning. For example, place the stress or accent on 'Our' and suddenly we have more than one God. Place it on 'them' then, there would appear to be a lot of men already there ready to receive planetary rights. Place it strategically on 'fish', 'birds', 'cattle' then you've got a really nice wrap up with accenting the last 'earth' for emphasis. Of course, where to accent in poetry can be of hot debate.

Winter solitude

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Winter solitude--
in a world of one color
the sound of wind.

(Winter solitude, by Matsuo Basho)

(From a PPS with author: 鄭文萱)

Poetic diction

Aristotle by Raphael Aristotle: "A certain admixture... of unfamiliar terms is necessary".

A fantastic world

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PPS at www.euroman.org.ro

1

A Personage is seen
Leaning upon a cushion
Printed with cornflowers.

A Child appears
Holding up a pencil.

“This is a picture
(Says the Child to the Personage)
Of the vortex.”

“Draw it your own way,”
Says the Personage.

(Music is heard
Pure in the island windows,
Sea-music on the Child’s
Interminable shore, his coral home.)

Behind a blue mountain
Covered with chickenfoot trees,
The molten sun appears,
A heavy, painted flower.

A Personage is seen
Leaning upon the mountain
With the sun in one hand

Winner of Nobel Prize in Literature, 2009

This year the Nobel Prize in Literature was awarded to Herta Müller, "who, with the concentration of poetry and the frankness of prose, depicts the landscape of the dispossessed".

Herta Müller

Herta Müller

Herta Müller was born August 17, 1953, in Niţchidorf, Timiş County, Romania. She is a Romanian-born German novelist, poet and essayist noted for her works depicting the harsh conditions of life in Romania under Ceauşescu.

The colors matter

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Our lives are filled with color from the start,
and Red is the love that comes from our hearts.
Blue is the sadness that drips from our eyes,
but Black is the evil that makes us tell lies.

Green is the shade of jealousy and rage,
and Grey is the hair that comes with old age.
Purple is the mood most misunderstood,
but White is the color that Makes Us Feel Good.

Life is full of meaningful colors,
But Especially White.
So hold on to it tight.

(Lisa Winn, Colors Of Our Life)

(From a PPS with author: Paul)

Mothers

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Dear Lord,
today we pray for mothers--
our own mothers, and mothers everywhere,
who have made such a major contribution
to the good qualities we have,
sometimes through genetics,
more often through great effort and patient instruction,
and who have done their best
to gently polish away our rough edges.
Lord, please bless our mothers
for the endless hours of time they spent
and the boundless energy they invested in us.
Bless our mothers for their sacrifices on our behalf
as they often gave up or deferred their own dreams
so that we could have ours.

Winter of my soul

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winter came
forgotten souls flying on the oofs
tearly eyes
crying high
side by side
to blow the winds
sonw can't wait for feels
no feels
crowing animals
snow whites slept
hey human
you are forgot
winter came
you are forgot forever
step bystep
side by side
way to way
world to world
winter came
cold
lifeless
with forgotten souls
nothing to do
winter came

(Aidin Azarkerdar, Winter)

(From a PPS with author: Claude Galarneau)

What I See

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In such a night, when every louder wind
Is to its distant cavern safe confined;
And only gentle Zephyr fans his wings,
And lonely Philomel, still waking, sings;
Or from some tree, famed for the owl's delight,
She, hollowing clear, directs the wand'rer right:
In such a night, when passing clouds give place,
Or thinly veil the heav'ns' mysterious face;
When in some river, overhung with green,
The waving moon and trembling leaves are seen;
When freshened grass now bears itself upright,
And makes cool banks to pleasing rest invite,

Augustan poetry

Caesar Augustus

Confessionalism

Confessionalism is a label formally applied to a style of American poetry that emerged in the 1950s and 1960s. The label continues to be applied, though usually in a derogatory sense, to poetry about personal experience, particularly when that poetry is written carelessly or thoughtlessly.

Confessionalist poets draw on personal history for their inspiration. Often well schooled in verse traditions, they choose to mine their own lives for subject matter, often using personal trauma as fuel for literary or dramatic effect. Of the poets emerging in the late 1950s, Sylvia Plath and Anne Sexton are most commonly identified as Confessionalists. Much of John Berryman's work is considered Confessionalist, and Robert Lowell is widely regarded as the most accomplished in the Confessionalist movement. There are strong Confessionalist elements in the work of the Beat poets in the 1950s and 1960s, notably in Allen Ginsberg.

 


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